Between old and new
For Jordi Roset, a room is never simply a collection of objects. It is a dialogue between architecture, light, materials, and the stories they carry. Historical pieces, raw architecture, and contemporary design are given space to coexist, where the meeting of old and new creates an atmosphere that feels both personal and alive.
We spoke with him about his approach to spaces and objects, and the delicate balance between history and the present.
Can you tell us a little about yourself and your interest in interior design and architecture?
I run my home interior design instagram profile centered on interior, design, photography and home styling. Alongside I am co-founding a curated men's vintage and designer clothing store called The Vintage Project.
My fascination with spaces stems from how materials, light, and history intersect. I'm deeply drawn to industrial aesthetics, raw architecture, and mid-century designs. For me space is never just static, it's an evolving canvas that reflects how we live and what we appreciate over time.
When you step into a room for the first time, what catches your eye, and how does that shape the way you furnish it?
The first thing that grabs me is the room's architecture: the height of the ceilings, the raw textures of the walls, and above all, how natural light hits the room at different times of the day.
Rather than imposing a predetermined aesthetic on a room, I let its structural bones dictate the layout. I prefer to create breathing room around objects, allowing each piece to hold its own presence without disrupting the flow of the space.
How do you balance beauty and functionality when choosing furniture and objects? Do you think everything in a room should serve a purpose, or can something simply be there because it creates a certain feeling?
Not everything needs a strict utilitarian purpose. While function grounds a room, emotion is what actually makes it feel lived-in and inspiring. I view objects, whether a piece of vintage glass, a sculpture, or a lamp, as daily atmospheric anchors. If an item evokes a specific mood, adds depth, or changes how light moves through the space, then creating a feeling is its purpose.
“ While function grounds a room, emotion is what actually makes it feel lived-in and inspiring.”
What is your approach to combining vintage and contemporary furniture, and what do you think each can bring to a space?
I love the tension between different eras. Vintage and archival pieces bring character, patina, and stories that newer items simply can not replicate.
Contemporary pieces, on the other hand, bring clean lines, structural precision, and modern comfort. When you place an aged, patinated object alongside modern design, the two elevate one another: the old piece feels more intentional, while the new feels less clinical.
What role does light play in the way you experience and design your home, and how does the VETRO lamp fit into your interior?
Light means EVERYTHING to me. It completely changes a room's sense of space, warmth, and mood. During the day, natural light and shadows bring the room to life, while artificial light in the evening takes over and dictates the mood.
The VETRO lamp works both as a sculptural object during the day and as a warm, atmospheric focal point in the evening. The handmade Murano glass adds an organic, fluid texture that beautifully spreads the light across raw architectural surfaces like exposed brick or concrete. I love the contrast between all the raw materials and the lamp.
Do you think your approach to interior design has changed over time?
Definitely. As we grow older, our understanding of design, history, taste, and everyday needs naturally evolves. I remember when I was younger, I used to love rooms crowded with objects and details everywhere. Today, my approach is much more intentional and editing-focused: I choose fewer pieces, but each one carries a deeper presence and transmits so much more.
